But so much of what’s wound up feeling fundamental to Chivalry is unilaterally on Buckley. We tend to think of successful games as the product of a committee, whittled into shape by teams of hundreds, forever seeking consensus with market research and focus groups. “I could make it really funny, or really immersive to the point where it could freak you out to be in a battle where you could get cut to pieces by swords.” Funny won out, and Chivalry wound up an unlikely comedic masterpiece. He recalls giving studio president Steve Piggott a choice.
But the reason it’s endured as a cult classic may have more to do with its kooky spirit.įrom the start, Ryan Buckley, audio director at Torn Banner and a self-proclaimed “wise-ass” growing up, set out to temper the slapstick brutality with a heavy dose of comic relief. Many games owe it a debt for this, not the least of which is Ubisoft’s anticipated (though third-person) For Honor. Most likely the reason it hit so big is because it was the first game to do first-person melee combat in a way that didn’t feel terrible. It began its life as Age of Chivalry, a Half-Life 2 mod, and blew up to such a degree that a Kickstarter campaign followed.
#Chivalry medieval warfare icon Pc#
As cool as it looks, Mirage has a tough act to follow.Ģ012’s Chivalry: Medieval Warfare, Mirage ‘s older sibling, followed a trajectory that’s not uncommon for an indie PC hit. Spend any amount of time in melee, and it starts to spatter all over, caking on clothing and armor, serving as an unmistakable reminder that you’re in fact playing a Torn Banner game. It looks like a rougher-hewn, sword and sorcery version of Overwatch, with pretty, soft-colored sets, characters designed around forceful silhouettes clearly meant to be readable at a distance, and spectacular special effects that bedazzle your display. Mirage: Arcane Warfare, due out sometime this year, is the latest “first-person slasher” from Torn Banner, the studio that we should credit for making such a thing possible.
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